How and why I picked up this book to read is an interesting story. I had vaguely heard of The Woman in the Window as being similar to the two hugely successfully thrillers of the last few years — Gone Girl by Gillian Flynn, published in 2012, and The Girl on the Train by Paula Hawkins, published in 2015. Both had gone on to being made into movies. While I didn’t care for their movie adaptations, I absolutely loved both these books and had bought copies of them to add to my permanent collection. Yet I did not feel particularly compelled to read The Woman in the Window. With a name so much like The Girl on the Train and the story also being similar — a woman sees something from a window, similar to how the protagonist in The Girl on the Train saw something from a train — it seemed like a knockoff, something I was not particularly interested in. Also, the buzz surrounding it was nothing like it had been for Gone Girl and The Girl on the Train. In my experience, thrillers have to be really, really good, otherwise you just end up feeling stupid after reading them, feeling like you have wasted your time.

Then, just a couple of days ago, I happened to come across an article in the Feb 11, 2019 issue  of The New Yorker magazine which was a detailed exposé of the author of The Woman in the Window. The author’s name, A.J. Finn is a pseudonym — he is actually a guy called Dan Mallory. The article in The New Yorker was 14 pages long  — I was surprised to see such an in-depth investigative report on one person! It described how Mallory had lied his way throughout his career, climbing up the corporate ladder in the publishing world on false pretenses; how he used his good looks and charm to full advantage to dazzle bosses, peers, and subsequently, readers on book tours. He faked illnesses and deaths in his family to write touching essays to get into college, to evoke sympathy in his colleagues, and justify his absences.  He pretended to have two Ph.D.s, including one from Oxford, which he did not have. (He was enrolled in Oxford — again by lying on his application — but never completed his Ph.D.) It was almost unbelievable that someone would go to such lengths to promote themselves and get a leg up in the literary world.

Coincidentally, I had to go to the library later that day to pick up a book and I happened to see a copy of The Woman in the Window sitting on the shelves, available to borrow. In the past, I had simply glossed over it, but now I checked it out. I was curious, first of all, to see if it was any good, and second, to find out if, knowing what I knew now about the author, whether that would affect what I thought about the book. I had a free evening and was able to read it right away.

What I found is that Dan Mallory is a very good writer. The pacing of the book is excellent –almost like a movie. (A movie is already in the works, and the script-writers should have no trouble adapting it.) The protagonist is a thirty-something woman who has gone though a very traumatic experience fairly recently which has made her extremely agoraphobic. She used to be a child psychologist, but now she never leaves her house and passes her time drinking, taking lots of medications, playing chess online, chatting with fellow agoraphobes in an online chat room, and following the goings-on in the lives of her neighbors in whose houses she can see (apparently, no one believes in closing their blinds or shutting the curtains in her neighborhood!) One day, she sees a murder in a neighboring house through her window and calls the police, even venturing out of her house to help, despite her agoraphobia. But it turns out that no one will believe her — they think she is crazy. And this is not just because she is almost always drunk and drugged, but also because of the lies she is always telling about her family. (These lies are related to the traumatic experience which made her agoraphobic to begin with.) But she knows what she saw, and in the end, it turns out that she was right. The book ends with a dramatic confrontation between her and the killer. (This, by the way, is on the roof of her house and in the pouring rain —  already movie-ready!)

In addition to being well written — whatever his failings, Dan Mallory (writing as A.J. Finn) is a good writer — I found The Woman in the Window riveting enough to read all the way through. And it was an easy read — I finished it in the course of a single evening. The pacing was great, with very short, fast-moving chapters — almost like staccatos in a piece of music — and the tension was maintained throughout.

However, while I was easily able to read the book all the way though, the final reveal about the murderer was quite a let-down. It was too easy and too glib — it just made you feel cheated. Simply put, the ending didn’t live up to the rest of the book, and when I finished it, it wasn’t with the sense of fulfillment at having read a good book but instead with a feeling of dissatisfaction at having wasted my time. It’s a pity that a writer who is obviously talented and can write well could not come up with a gripping ending to a promising story of crime and suspense. The Woman in the Window was stylistically excellent but ultimately lacking in substance.

And with regard to that exposé in The New Yorker, I think it is a credit to Mallory’s writing that I forgot all about it when I was reading The Woman in the Window. It shows that art and creativity can transcend all of our failings and foibles as human beings — you don’t have to be a perfect person to create a perfect piece of art.

The Woman in the Window
Author: A. J. Finn
Publisher: William Morrow
Publication Date: January 2018

Contributor: Lachmi Khemlani runs a technology publication in the San Francisco Bay Area.